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Massachusetts Grade 8Technology/Engineering MCAS Review |
Weston, Massachusetts |
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Tension and Compression in Drawings of Leonardo da VinciIn the Italian Renaissance, there was no line drawn between the so-called 'fine arts' of painting and sculpture and applied arts such as engineering. This drawing by Leonardo da Vinci illustrates how he considered the forces of tension and compression exerted on the muscles in planning a drawing.
The giant crossbow |
Other Sites: | |
| Brunellesci's Dome | ||
| Science Museum of London: Renaissance Engineering | ||
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From Heretic, by Bernard Cornwell:
The new weapon was even bigger than his old bow and sometimes he wondered
if he was making it too big, but he persisted, shaping the wood with a
knife until it had a thick belly and gently tapering ends. He smoothed,
polished and then painted the bow, for the wood's moisture had to be trapped
in the timber if the bow was not to break, and then he took the horn nocks
from his old bow and put them on the new. He also took the silver plate
from the old bow, the piece of Mass cup that bore his father's badge of
a yale holding a grail, and he pinned it to the outer belly of the new
bow that he had rubbed with beeswax and soot to darken the wood. The first
time he strong it, bending the new staff to take the cord; he marveled
at the strength he needed and the first time he shot it he watched astonished
as the arrow soared out from the castle battlements . . . |
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Revised December 2005 by Jonathan Dietz,
dietzj@mail.weston.org |
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